Cover photo: A temple in Shintera.
I was planning to focus more on shapes and texture this time, but I found it hard to keep the consistency spread across weeks if not months. However, one consistent point is that I tend to work on film photography more when it comes to black-and-white images.
I’ve explained why I’m hooked on film photography in a past article and this was especially true for monochrome images. Although the contrast and sharpness vary from film to film, they feel more nostalgic than usual, brimming with that flavor of yesteryear Sendai.